We built our rental inventory based on the needs of clients, offering the most popularly requested equipment available.
When you rent from Broadcast Rentals there is a confidence factor built-in knowing that everything is covered. All equipment is checked when it returns and double-checked when it is scheduled to go out on a rental. When a client rents from us, we make every effort to cover all of the details. We "put ourselves in the clients' shoes", anticipating the extras that you may need for your rental including items such as cables, adapters, extra batteries, etc.
We are ready to assist you at any level of your production or event; from equipment set-ups to multi-camera shoots.
Competitive Rental Rates
Complete your project profitably and on time with reliable rental equipment from Broadcast Rentals. With a broad range of equipment in our inventory, we can tailor a rental package to suit any budget.
We welcome the opportunity to work with you. Contact us with your needs and we will do everything that we can to supply the equipment that fulfills those needs.
The HD Master VTR with IEEE 1394 Interface for Producing and Transmitting Over 2 Hours of Content
The AJ-HD1800 is the first broadcast and studio VTR with XL DVCPRO HD cassette capability to feature an IEEE 1394 digital interface. It easily teams up with a DVCPRO HD nonlinear editor to produce a full two hours of HD content. It also excels over previous models with its 720/50p image capability, built-in input up-converter, standard-equipped UMID/VANC metadata function, and superior cost-performance. The AJ-HD1800 HD studio VTR provides universal support for HD production and transmission.
Ki Pro combines the power of a file-based recorder with the familiar controls of a VTR in a form factor that is portable enough to go anywhere.
The Ki Pro established a new paradigm in tapeless recording. Revolutionizing how footage moves from production to editorial,Ki Pro captures Apple ProRes 422 files at your choice of quality level direct from the source. These files can then be used in most editing systems without the need for any additional import or transcoding steps. Just remove the Storage Module from the Ki Pro, connect it directly to the editing computer, transfer the files to your edit system and they are immediately ready for use in the NLE software.Ki Pro’s comprehensive array of analog and digital connections let’s you effortlessly bridge formats and sources within your workflow, ingesting footage to a common format and outputting to numerous simultaneous monitor outputs. Offering AJA’s high-quality up/down/cross conversion and a multitude of connections, integration with your other production gear is seamless.
Ki Pro’s RS-422 control allows it to be connected to editing systems and external controllers allowing it to fulfill some of the functions of a traditional VTR. Editing systems can perform assemble edits directly to the KiStor Modules, often faster than rendering Apple ProRes files might be from within an editing system.For control and configuration, Ki Pro can be connected directly to a computer or a data network by an Ethernet cable or wireless 802.11. Ki Pro can be accessed via a web browser on any networked computer, or even a smartphone. Multiple Ki Pro units may even be networked together and controlled from a single interface making them ideal recorders for multi-camera projects.
Ki Pro Quad enables breakthrough 4K/QuadHD/2K/HD workflows with the efficiencies of Apple ProRes and the flexibility of RAW data in a compact, file-based recording and playback device that easily mounts directly on a variety of cameras. For the first time, a true real time lens-to-post workflow exists for 4K projects on the same device you can use for HD projects today.
Ki Pro Quad serves as a central gathering point for the main needs of 4K production; bring camera signals into Ki Pro Quad and then simultaneously create efficient, edit-friendly 4K Apple ProRes files with pristine image quality, output to 4K and HD monitors at the same time and record RAW data directly to a Thunderbolt-enabled computer/ storage system. Real time scaling from 4K/QuadHD to 2K/HD allows you to shoot 4K but record 2K to keep file sizes down while still having theatrical quality images to work with. Ki Pro Quad eases the transition to 4K. Work on HD and 2K resolution projects now with full 4:4:4 or 4:2:2 quality and switch Ki Pro Quad to record 4K any time the need arises. Ki Pro Quad is a single device that covers your needs today and into the future.